Chia sẻ bài báo qua Email ĐIỆN ẢNH VÀ QUÁ TRÌNH BIẾN ĐỔI VĂN HÓA - XÃ HỘI VIỆT NAM (CUỐI THẾ KỈ XIX ĐẾN ĐẦU THẾ KỈ XX)
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Ngày nhận bài: 21/03/26 Ngày hoàn thiện: 15/06/26 Ngày đăng: 15/06/26Các tác giả
1. Nguyễn Thị Trang
, Trường Đại học Sư phạm - ĐH Thái Nguyên2. Hạc Hà Anh, Trường Đại học Sư phạm - ĐH Thái Nguyên
Tóm tắt
Từ khóa
Toàn văn:
PDFTài liệu tham khảo
[1] G. Asselle, A. Scott, J. Backhouse, and P. N. Truong, “The Vietnamese Cinema from its origins to 1945,” Framework: The Journal of Cinema and Media, no. 25, pp. 63-70, 1984.
[2] B. Creed and J. Hoorn, “Memory and History: Early Film, Colonialism and the French Civilising Mission in Indochina,” French History & Civilization, vol. 4, pp. 223-236, 2011.
[3] L. A. Conklin, A mission to civilize: the republican idea of empire in France and West Africa, 1895-1930, Stanford University Press, 1984.
[4] S. Ponzanesi, “Whither the colonial question? Jean Renoir's The River,” In Post-Colonial Cinemas: Theoretical, Cultural and Political Perspectives. Routledge, 1996, pp. 51-64.
[5] T. T. D. Tran, Vietnamese Cinema: History – Works – Artists – Theory – Criticism – Research, vol. 1. Ho Chi Minh City: Ho Chi Minh City General Publishing House, (in Vietnamese), 2010.
[6] T. Hoang, N. T. Pham, B. Banh, Q. C. Vu, M. L. Ngo, and B. H. Phan, History of Vietnamese Cinema, vol. 1. Hanoi: Cinema Department Publishing House, (in Vietnamese), 2003.
[7] P. Bui, Cinema through Its Developmental Stages. Hanoi: Culture Publishing House, (in Vietnamese), 1981.
[8] T. Cao, The Birth of Cinema. Ho Chi Minh City: Tre Publishing House, (in Vietnamese), 2003.
[9] T. T. Nguyen, “The emergence of the cinema industry in Vietnam during the French occupation,” Conflict, Justice, Decolonization, Institute of Social Research and Cultural Studies, National Chiao Tung University, 2022.
[10] C. G. Hoang, “Transcultural Narratives of Vietnamese Landscapes in Literature and Cinema,” Journal of Vietnamese Studies, vol. 18, no. 2, pp. 45-72, 2023.
[11] T. M. Nguyen, “Commodification of Women’s Landscapes in Post-Renovation Vietnam,” Asian Cinema Journal, vol. 35, no. 1, pp. 112-135, 2024.
[12] P. C. Pham, “Colonial Rhetorics of Modernity in Vietnam: “The New” in Vietnamese Literature during the Colonial Period,” Journal of Southeast Asian Cultural Studies, vol. 8, no. 2, pp. 92-115, 2025.
[13] X. H. Tran, “Hill Stations in Vietnam during the French Colonial Period: The Case Study of Tam Dao,” Journal of Colonial Urban History, vol. 12, no. 3, pp. 25-48, 2024.
[14] P. Brocheux and D. Hémery, Indochina an ambiguous colonization 1858-1954, University of California Press, 2009.
[15] T. Le, Vietnamese Cinema: History and Features. Hanoi: Culture and Arts Publishing House, (in Vietnamese), 2015.
[16] P. Autré, “Indochina: A new market opening up. More than 50 cinemas equipped. French Cinematography,” La Cinématographie française, no. 934, pp. 164-165, 1936.
[17] Chantecler, “Captain Craddock in Indochina,” Chantecler (French weekly magazine), no. 12, pp. 7-9, June 08, 1933.
[18] Chantecler, “They say that...,” Chantecler (French illustrated weekly magazine), no. 31, pp. 3-8, October 19, 1933.
[19] National Archives Centre I (NACI), D.615, No. 3171, Operation of the Tonkinois Cinema on Rue des Éventails, Hanoi.
[20] Entreprises coloniales, Film exploitation in Indochina. Online historical archive (extracted from Chantecler issues, 1933–1939), 2016.
[21] Chantecler, “Film review: Atlantis and the central role of Europe,” Chantecler (French illustrated weekly magazine), no. 12, pp. 7-10, June 08, 1933.
[22] National Archives Centre I (NACI), D.615, No. 3173, Operation and management of the Philharmonique Cinema in Hanoi, Hanoi.
[23] Chantecler, “French news and political life in Indochina,” Chantecler (Digitized by Entreprises coloniales, 2016), no. 75, pp. 2-4, 1934.
[24] Chantecler, “Indochina, Pearl of the Far East: A documentary on the civilizing mission,” Chantecler (Digitized by Entreprises coloniales, 2016), no. 85, pp. 3-6, 1934.
[25] G. T. Vu, Tu Luc Literary Group – Literature and Public Opinion. Education Publishing House, 2006.
[26] H. C. Nguyen, The Thought of Nguyen Van Vinh and the Wind of Modernity. Writers’ Association Publishing House, 2008.
[27] National Archives Centre I (NACI), D.615 D633, No. 44942, Application for registration on the list of cinematographic film importers by Nguyen Thi Chan, manager of the Tonkinois cinema, 1921.
[28] National Archives Centre I (NACI), D.615, No. 44968, Application by Pham Van Hinh in Hanoi to operate a mobile cinema and organize film screenings, 1928.
[29] National Archives Centre I (NACI), D.633, No. 44953, Application for authorization to open a cinema submitted by Do Dang Loc in Nam Dinh, 1925.
[30] P. Bui, Cinema through Its Developmental Stages. Hanoi: Culture Publishing House, 1981.
DOI: https://doi.org/10.34238/tnu-jst.15153
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